JOSHUA CLOVER
GENERALS AND GLOBETROTTERS1-clover.html1-clover.html1-index.htmlshapeimage_1_link_0shapeimage_1_link_1
INDEX
ABOUT
AMP
FACEBÖK
SPLASH
SUBMIT1-index.htmlabout.html1-amp.htmlhttp://facebook.com/theclaudiusappindex.htmlsubmit.html1-index.htmlshapeimage_2_link_0shapeimage_2_link_1shapeimage_2_link_2shapeimage_2_link_3shapeimage_2_link_4shapeimage_2_link_5
SIMON JARVIS
BARCAROL
Z.15
DJAKARTA SIXPACK1-jarvis.html1-jarvis.html1-jarvis.html1-jarvis.html1-index.htmlshapeimage_3_link_0shapeimage_3_link_1shapeimage_3_link_2shapeimage_3_link_3
JOE LUNA
FOR THE WHITE LAKE BLOT1-luna.html1-luna.html1-index.htmlshapeimage_4_link_0shapeimage_4_link_1
VANESSA PLACE
STATEMENT OF FACTS1-place.html1-place.html1-index.htmlshapeimage_5_link_0shapeimage_5_link_1
COLBY SOMERVILLE
UNTITLED
PETCETERA, PETC.
CALLER CAN’T SAY WHAT S/HE CALLS
SCENE +1-somerville.html1-somerville.html1-somerville.html1-somerville.html1-somerville.html1-index.htmlshapeimage_6_link_0shapeimage_6_link_1shapeimage_6_link_2shapeimage_6_link_3shapeimage_6_link_4
DAVID GORIN
DUST JACKETS1-gorin.html1-gorin.html1-index.htmlshapeimage_7_link_0shapeimage_7_link_1
EDITORS
REVIEWS AT THE SPEED OF SLEEP1-editors.html1-editors.html1-index.htmlshapeimage_8_link_0shapeimage_8_link_1
KESTON SUTHERLAND
THE CLEARANCE OF TRAFALGAR SQUARE, 26th MARCH 2011
LIVING STOPS TO FIT THE EMPTY
FROM THE ODES TO TL61P1-sutherland.html1-sutherland.html1-sutherland.html1-sutherland.html1-index.htmlshapeimage_9_link_0shapeimage_9_link_1shapeimage_9_link_2shapeimage_9_link_3
BRICE BOGHER
LOVE AND DEBT ALIKE TROUBLESOME: A REVIEW OF JOHN BEER’S THE WASTE LAND AND OTHER POEMS*1-bogher.html1-bogher.html1-bogher.html1-bogher.html1-index.htmlshapeimage_10_link_0shapeimage_10_link_1shapeimage_10_link_2shapeimage_10_link_3
THE CLAUDIUS APP
A JOURNAL OF FAST POETRY1-index.html
CHARLES BERNSTEIN
AUTOPYSCHOGRAPHIA1-bernstein.html1-bernstein.html1-index.htmlshapeimage_12_link_0shapeimage_12_link_1
ROBERT FERNANDEZ
FROM PINK REEF1-fernandez.html1-fernandez.html1-index.htmlshapeimage_13_link_0shapeimage_13_link_1
FRANCESCA LISETTE
PAS DE GRIP (ELECTION SONG)
WHAT CONTINUES1-lisette.html1-lisette.html1-lisette.html1-index.htmlshapeimage_14_link_0shapeimage_14_link_1shapeimage_14_link_2
GEOFFREY G. O’BRIEN
THE NAMES OF PRODUCTION1-obrien.html1-obrien.html1-index.htmlshapeimage_15_link_0shapeimage_15_link_1
DANIEL POPPICK
SNEAKY FREEZE
NEST EDIT
“SUCKING THE SHERBETS, CROONING THE TUNES,”1-poppick.html1-poppick.html1-poppick.html1-poppick.html1-index.htmlshapeimage_16_link_0shapeimage_16_link_1shapeimage_16_link_2shapeimage_16_link_3
MARGARET ROSS
A TIMESHARE
FAZE
REFRESH RATE
REFRESH RATE1-ross.html1-ross.html1-ross.html1-ross.html1-ross.html1-index.htmlshapeimage_17_link_0shapeimage_17_link_1shapeimage_17_link_2shapeimage_17_link_3shapeimage_17_link_4
KENT JOHNSON
POETIC ECONOMIES OF SCALE: ON JACKET21-johnson.html1-johnson.html1-index.htmlshapeimage_18_link_0shapeimage_18_link_1
ROD SMITH
IN A STATION OF THE METRO
TIMES TO REMEMBER, PLACES TO FORGET1-smith.html1-smith.html1-smith.html1-index.htmlshapeimage_19_link_0shapeimage_19_link_1shapeimage_19_link_2
MICHAEL THOMAS TAREN
WILHELM
ROSES BURN THE WATER
I SAID TO MYSELF1-taren.html1-taren.html1-taren.html1-taren.html1-index.htmlshapeimage_20_link_0shapeimage_20_link_1shapeimage_20_link_2shapeimage_20_link_3
GIULIO PERTILE
“A STAGE IN WAKEFULNESS”: ON TIMOTHY DONNELLY’S THE CLOUD CORPORATION1-pertile.html1-pertile.html1-pertile.html1-index.htmlshapeimage_21_link_0shapeimage_21_link_1shapeimage_21_link_2
1-place.html
MARIANNE MORRIS
A STARLING FOR MORNING: CRITICAL IRONY AND GENDER IN EMILY CRITCHLEY’S LOVE / ALL THAT / & OK1-morris.html1-morris.html1-morris.html1-morris.html1-index.htmlshapeimage_23_link_0shapeimage_23_link_1shapeimage_23_link_2shapeimage_23_link_3
EMILY DORMAN
TOWARDS A NEW CRITICAL VOCABULARY1-dorman.html1-dorman.html1-index.htmlshapeimage_24_link_0shapeimage_24_link_1
GEOFFREY G. O’BRIEN
KESTON SUTHERLAND
1:11 PM1-obrien-sutherland.html1-obrien-sutherland.html1-obrien-sutherland.html1-index.htmlshapeimage_25_link_0shapeimage_25_link_1shapeimage_25_link_2
SARA NICHOLSON
WITCHY WOMAN: A DRESSING DOWN OF ELIZABETH WILLIS1-nicholson.html1-nicholson.html1-nicholson.html1-index.htmlshapeimage_26_link_0shapeimage_26_link_1shapeimage_26_link_2
1-amp.html
UPDATES
CNR/DNR/CDC/DVR
O’BRIEN RESPONDS TO SUTHERLAND
CRITCHLEY RESPONDS TO MORRIS1-updates-editors.html1-updates-obrien.html1-updates-critchley.html1-index.htmlshapeimage_28_link_0shapeimage_28_link_1shapeimage_28_link_2